In January 2011, Penélope Cruz and her husband Javier Bardem welcomed their first son. Reps for the couple said "Both parents and baby are doing great."
Penélope and Javier, 41, married in the Bahamas back in July when she was two months pregnant. The duo has known each other for many years, they starred in 1992's Jamón, jamón together in addition to Vicky Cristina Barcelona in 2008.
Penelope-Cruz.org would like to extend our biggest congratulations to the lovely couple!
Pirates of the Caribbean: On Stranger Tides 3D (2011) Character: Angelica Director: Rob Marshall
Currently Filming IMDb •
Sex and the City 2 (2010) Character: Lydia (cameo) Director: Michael Patrick King
Available On DVD (R1) IMDb •
Penélope Cruz was in Madrid to pose for Vogue magazine, before the camera of famous photographer Peter Lindberg.
She posed pregnant, as did other celebrities like Demi Moore, Claudia Schiffer and Britney Spears. It is not known whether she will appear naked like the others or not, but the photos of Penélope are unpationately expected in the magazine.
Rumors about a possible pregnancy of the actress began circulating this year, after the appearance of some of her photos and the announcement of her marriage with actor Javier Bardem in July in the Bahamas. They were confirmed on 14 September, after the actress’ representative Antonio Rubin said that Penelope Cruz is fourth month pregnant.
While on the other covers, she poses as the other half of Bono’s face, and finally, she toplessly embraces Meryl Streep.
I do not have access to this magazine but I’m hoping we will have scans soon. Please consider donating the other various Pe covers if you manage to obtain and scan them – it would be tremendously appreciated! I can’t wait to see the inside contents!
Penélope Cruz and Daniel Day-Lewis of Nine are featured in the seventh annual NY Times Great Performances Portfolio for 2010. The issue is a photographic celebration of the year’s best performances, and they have chosen actors who stunned and delighted us this past year. It was the February 21, 2010 issue. She was in it last year as well. Coincidentally photographed exclusively on the set of Nine.
I previously reported Penélope Cruz would be featured in the upcoming Vanity Fair Hollywood Portfolio for 2010 which is the March issue, and now we have an adorable image and behind the scenes video from the mag. Last year she was photographed with Woody Allen and this year she’s with her idol Pedro Almodóvar.
Frame, Set, and Match The Romantics
Pedro Almodóvar with Penélope Cruz
Four films together: Live Flesh (1997), All About My Mother (1999), Volver (2006), and Broken Embraces (2009).
Broken Embraces has a valedictory feel to it, or at least it conveys a sense that the 60-year-old Almodóvar—a man for whom it was once compulsory to use the words enfant terrible—is taking stock of his life. The movie is about a filmmaker, cruelly robbed of sight, who recounts to a young man the tragic story of his greatest love: a stunning beauty he rescued from the gilded clutches of kept-womanhood. There are stylistic nods to the 1950s weepie-meister Douglas Sirk and to Michael Powell’s sick-joke movie Peeping Tom. There are glimpses of the movie that the director made with his doomed love, a Day-Glo bauble that harkens back to Almodóvar’s youthful 1980s “wacky” period. And there is Cruz. Almodóvar uses his fractured narrative to frame her in all manner of looks and ways: in a Marilyn wig, in drab secretarial gear, in the Chuck Close–like pixelation of enlarged, super-slo-mo playback … all in the cause of proving that the camera loves her as much as ol’ Pedro does.
Photographed in New York City on December 17, 2009.
Very big thanks goes out to Mia of Magnifique Marion Cotillard for providing us with scans from the November issue of Vogue. Kindly respect her and do not repost these scans as they were donated for us. :)
What actress doesn’t dream of reliving Fellini’s magic? Here, a head-spinning lineup of A-list stars join forces in Rob Marshall’s movie-musical Nine. Plum Sykes visits them on set. Photographed by Annie Leibovitz.
Shepperton Studios, London, on a bleak December day. Shrouded in a freezing fog, the lot seems faintly neglected, as though abandoned. The various buildings—prop shops, costume houses—look like little more than sheds. A car drops me off at a side door to a soundstage, where a harried but friendly publicist meets me.
Inside, it’s as though a magician has waved his wand. Suddenly I am transported half a century back in time to the Italy of La Dolce Vita. To my left is an empty set-within-a-set of a Roman piazza, and to my right is a bustling re-creation of a 1960s movie studio. An intricate scaffolding of iron balconies and stairwells has been built in front of the corrugated walls of the soundstage. Nowhere, it turns out, could be more perfect for Rob Marshall to direct the song-and-dance numbers for Nine, his latest movie, because the bones of Shepperton have an uncanny resemblance to the Cinecittà of Fellini’s 8½, the inspiration for Maury Yeston’s 1982 Broadway musical Nine, on which this film is based.
Today the cover for the much anticipated November issue of Vogue has been released! It featured the ladies of Nine; Marion Cotillard, Nicole Kidman, Kate Hudson and Cruz photographed exclusively by Annie Leibovitz.
What do you think? I’m honestly not loving the cover and a bit let down, although I think Penélope by far looks the best! I’m still really excited to see what’s on the inside though! Stay tuned for scans.
Va-va-voom! Penélope Cruz takes the cover of the November issue of Vanity Fair, and wowzas, she looks incredible in a ravishing new photoshoot.
Some years ago, when Penélope Cruz was still on her way up the movie-star ladder, I had a behind-the-scenes adventure with her that gave me a chance to see what the Spanish actress is made of. I had arranged for her to do a cover shoot for Interview, the magazine I then edited, and on the day of the shoot I got a call from the photographer, who was freaking out. She had planned a bunch of fun setups, but the day hadn’t even begun yet and now Cruz’s minders were demanding that the photographer make it snappy: there wasn’t time to do anything but a few basic shots. The huffs and snits were about to spoil the shoot, so I headed over to the location, a nightclub on 14th Street, to see if I could fix things. I quickly sussed out the real reason Cruz’s people were trying to cut the shoot short: she had been summoned for a meeting later that same day with the other Cruise, as in Tom, who back then, in 2000, was still considered Mr. It. I got nowhere with her Spanish rep—apparently our rinky-dink photo shoot was chopped liver in comparison with a meeting with Hollywood’s top gun—so I marched into hair and makeup, where the actress was getting spiffed up for the first picture, and pleaded our case directly. She looked horrified that we’d been made to feel rushed and small, and asked me to tell our photographer that she was honored to be working with her and was committed to posing for all the images she wanted.